The Edge of Painting - curated by Tess Jaray
29th November 2013 - 30th December 2013
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Rana Begum
Martin Creed
Cathy de Monchaux
Tim Head
Tess Jaray
Tom Lomax
Onya McCausland
Sophie Michael
Cornelia Parker
Giulia Ricci
Nike Savvas
John Stezaker
Peter Hide and Walter Early
Protesting Time
15th October - 22nd November 2013
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Markéta Luskačová and Francis West
Come Carnival: Entwined and In Play
3rd May - 7th June 2013
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Come Carnival: Entwined and In Play
3rd May - 7th June 2013
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Paul de Monchaux
Fixing Memory
Sculpture 1986 - 2013
13th February - 15th March 2013
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Fixing Memory
Sculpture 1986 - 2013
13th February - 15th March 2013
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New Possibilities: Abstract Paintings from the Seventies
16th November - 21st December 2012
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16th November - 21st December 2012
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Edward Allington and Vaughan Grylls
Then and Now
29th June - 11th August 2012
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Then and Now
29th June - 11th August 2012
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Vaughan Grylls
Grandmother
6th - 27th May 2011
St Mark's Church Hall, Colvestone Crescent, London, E8 2LJ
Grandmother, a representation of a life-size German war plane (measuring 19 metres in length), was exhibited in a large Victorian church hall - almost untouched since the Second World War. The piece was comprised of hundreds of Grylls’s black and white family photographs that were pinned to bedsheets and hung out on washing lines. The bomber appeared to fly through the bedsheets towards a war-time pram. Grylls uses an image of death to affirm life in this autobiographical piece that references a real event, showing the political to be deeply personal.
Grandmother
6th - 27th May 2011
St Mark's Church Hall, Colvestone Crescent, London, E8 2LJ
Grandmother, a representation of a life-size German war plane (measuring 19 metres in length), was exhibited in a large Victorian church hall - almost untouched since the Second World War. The piece was comprised of hundreds of Grylls’s black and white family photographs that were pinned to bedsheets and hung out on washing lines. The bomber appeared to fly through the bedsheets towards a war-time pram. Grylls uses an image of death to affirm life in this autobiographical piece that references a real event, showing the political to be deeply personal.
The Piper Gallery 2012